Funnily enough, Link vs Cloud has already been a Death Battle via a season 1 episode. One that was actually their first 3D Death Battle ever. The catch though was that the show was still figuring out what they were doing in terms of rules and scenarios (which changed drastically via Season 3) and thus the “ruleset” for that fight was deemed…restrictive by fans. So much so in fact that despite a “winner” being named, they demanded a rematch, and now, in Season 8, they got it.

Dietetic Pink (DePatie-Freleng, Pink Panther, 11/11/78 – Sid Marcus, dir.) – A late series entry in the waning days of the character’s original run, actually made for direct screening on television, but later theatrically issued. Pink happens upon a coin-operated weigh scale, and inserts a coin. A traveling man passes on the street behind him, and, in entire disregard for what the panther is trying to do, places his heavy suitcase on the scale platform behind Pink while the man takes a breather from lugging it around. The combined weight of panther and suitcase twirls the scale’s needle to 220 pounds. The shocked panther visualizes himself as bloating into a blimp. He heads home, and inspects his surroundings, mainly consisting of a refrigerator jam-packed with fattening food. Armful by armful, the panther totes the items out of the refrigerator and into a wooden cupboard. Oblivious to the fact that these foods will perish without refrigeration, the panther packs the last of the food in as if packing a sardine can, then locks the wooden cupboard doors. He then takes the key, batters its shaft with a hammer until bent at several right angles, and tosses the key out the window into a trash can. So much for ever seeing his food again.

From those sketches, Clark made the first stuffed Mickey Mouse doll. Clampett’s father advised her to get Walt Disney’s permission before she started making and selling them.

The young teen sat through three consecutive full showings that day in order to see a Mickey Mouse short several times so he could sketch Mickey Mouse. There were no illustrations of Mickey Mouse available at that time other than on an occasional movie poster because the flood of Mickey Mouse merchandise had not yet started to provide some reference images.

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That night, Rabbit tries to repent, by slipping into Tigger’s house as Tigger sleeps, hoping to get back the shoes before anything else happens. But his search disturbs Tigger, who mumbles about the Great Bunny bouncing the ridge in his sleep, and rises from the bed with the blanket still completely covering him, bouncing out the window and into the forest. “He’s sleepbouncing”, gasps Rabbit. With no particular sense of direction, Tigger bounces into Pooh and Piglet’s home through the window, bounces on their stomachs in bed, then out the window again. Piglet is convinced it was the Awful Bunny, returned to the woods to retrieve his shoes. He and Pooh run to tell Tigger, who has found his way back to his bed and fallen asleep again, with Rabbit hanging outside the window from the windowsill, still unable to find the shoes. Pooh and Piglet awaken Tigger, informing him that the Awful Bunny has returned for the shoes. “It’s a good thing I hid them”, says Tigger, as he pulls a prop out from the wooden shutters above his window, causing the shoes to plop down, suspended to the shutters by their shoestrings. Of course, the blow clunks Rabbit in the head, making him fall from the tree to the ground below, while Tigger obliviously remarks, “Say, did you hear sump’in’?”Doormat

Buster gets off on the wrong foot by dropping a dumbbell on Arnold’s head. Arnold responds by giving Buster a “First lesson”, holding the rabbit up by the ears, while placing a barbell in his hands to hold. The barbell stretches both of Buster’s arms to the floor. “Hey, at least I won’t have to bend over to cut my toenails any more”, says Buster, looking on the bright side. Arnold puts Buster on a folding exercise table known as the belly cruncher, which flattens Buster like a pancake. “Aptly named”, notes Buster. A weight and pully machine is cranked up for high, pulling Buster past the pulley and into the weight chamber, smashed between two weights into a small rectangle. This wasn’t exactly the “shape” Buster imagined himself in. Arnold next beats madly at a drum, while Buster toils at a rowing machine as if on a slave galley. At home in his rabbit hutch, Bugs Bunny frowns that the show is making rabbits look bad, and reaches into his television screen to retrieve Buster, giving him a few pointers on how to place the “pea brain” in his place. As Bugs puts Buster back into the screen, he mentions that he just lo-o-oves Buster’s show – then asides to the audience, “Warner Brothers paid me to say that.” Buster returns to the rowing machine, but this time in fisherman’s hat, and holding a rod and reel. He suddenly claims to have hooked a big one, and struggles to reel it in. Arnold insusts on helping the “puny person” land his catch, and assumes Buster’s position on the rowing machine. Arnold pulls powerfully back on the line, which snaps – releasing a huge iron weight suspended from the ceiling and through pulleys on the other end of the line. CLANGGG!! The metal weight cracks into fragments, and flattens Arnold’s head. Arnold gives chase, calling Buster a “98 ounce weakling”. The chase leads into a steam room, where the old turn-up-the-thermostat gag is revisited, now with a top setting of “deep fat fry.” Arnold emerges, reduced to five inches tall. In a sullen and shrunken voice, he walks pack Buster, stating “I’d rather you didn’t see me now.” Buster finally tells the audience he will now put on some serious muscles, Buster style.

In the Shade of the Old Apple Tree (1/16/30) – Gentle gags with a couple spooning under the shade of the arboreal title genus. The title song dates from 1902. Harry Macdonoigh and the Haydyn Quartet recorded it for Victor, while Billy Murray got to perform “A Parody On” for the same label. Henry Burr would also issue a Victor version a few years later. The Old Smokey Twins would give out a country version in the 1920’s on Paramount. Duke Ellington modernized it on Brunswick in the 30’s. Louis Armstrong (below) and the Mills Brothers swung it in the 1930’s for Decca Claude Hopkins also recorded it for Decca. Benny Goodman had a band book arrangement recorded live on an aircheck, sounding like a Fletcher Henderson chart. Maurice Rocco and his Rockin’ Rhythm would giive it a 40’s feel for Musicraft.